Completed for Vertex School assignment.

This is my 2nd term project for Vertex School, which was created in Unreal Engine 5. Modular Pieces and props were modeled in Maya, afterwards they were sculpted in Zbrush. The cloth in particular was simulated in Marvelous Designer. Textures were made in Substance Painter and Substance Designer. Unreal Engine’s Niagara visual effects system was used to create particle effects for fire, smoke and candle flames. I’d like to give a huge thank you to my mentor Jacob Claussen for mentoring, motivating and inspiring me throughout this whole project.

Inspired by “The Southwark Tavern” in London this was my 2nd term project for Vertex School. Created with the aim of game ready, most of the assets are low-midpoly (except for the brick wall using nanite) and using shared texture sets/tileables & trimsheets, had the chance to experiment with a lot of stuff during the process and learn a lot.
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Thanks to all the people that shared feedback and gave ideas and made this journey of knowledge possible for me
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Big thanks to my mentor Cairo Goodbrand who made this entire project possible for me by providing amazing feedback and ways to overcome the challenges I had and also to two people that I know it wouldn’t have been the same outcome without their advice Salvador Sánchez and Ben Merrick.

In London, between Marylebone and Wigmore street, in a not-too-crowded street, there is a pub that catapults you to the beginning of 1900, making you revive the first notes of jazz.
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Inspired by London architecture, especially the Golden Eagle building.
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This is a project I did during my studies at Vertex’s School. I would like to thank my tutors Salvador Sánchez and Cairo Goodbrand for their guidance and good pieces of advice.
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I modelled everything myself with the exception of the building and assets in the background, which I got from the megascans library.

This is my finished environment for term 2 at Vertex School. I built everything from the ground up, based one of my favourite concepts by Yunny Wong. The creation of the various assets and foliage was a lot of fun, as well as setting up the whole scene in UE5. I learned a lot about creating modular kits, making tileable textures in Designer and the set dressing/composition for environmental presentation. This project also improved my skills on building materials in Unreal. One of the more difficult parts within this project was the lighting but in the end it worked out quite well.
I cannot thank my Mentor Kem Yaralioglu enough for guiding me through this entire project and helping me with getting my environment to the next level! Also, i want to thank Ben Merrick and Salvador Sánchez a lot for their support and valuable feedback in the labs. Last but not least, I also want to thank Cairo Goodbrand for helping me out with the lighting.

Hi everyone, I am so glad that I can share my latest project Hong Kong Kowloon Walled City Shop. For this project, I am focusing on professional development and creating exciting game art.
During the early phase, I found out I need a mentor to guide me to finish and critique my work to achieve a professional standard. That means giving me the right direction, the right vision of being an environment artist also how to make things into a job-ready portoflio. Every Sunday, I have a mentorship with Justin Rodriguez. Taking his critique humbly, I do as much work before we meet and ask as many questions as possible. All of this because of the desire in my deep heart to become better every day, and his help made me improve significate during this year. (You can compare it to my old work.)
In this project, I had learnt and master every step to finishing an environment. From picking concept art, Block out, High low poly, Sculpting, Hand Painting, the details of props and the story you should give, creating textures, Vision of Colour and Roughness map, lighting, decals, Trim sheet, modular kit, localisation etc. I have no regret working on this project every day and achieving as high quality as it can produce. I am really appreciated Justin walking with me in this project. Thank you.
At last, I am already started to create my second project. It is going to be an exterior scene. I hope everyone will be excited as me. See you soon.

Final project for my term 3 at Vertex school’s Game art course, environment artist track. It is a temple from Shurima, the desert area of Runeterra from League of Legends. Huge thanks to Ben Merrick and Salvador Sanchez who helped me with learning unreal engine 5 and getting the scene set up as well as helping me learn Substance Designer.

This is my 3rd term and final project for Vertex School. Once again a huge thank you to my mentor Jacob Claussen for all of his help on the project!

The final project for my last term of the game artist program at Vertex School. This scene was a great learning experience and came with its own hurdles to overcome. A massive thank you to Kem Yaralioglu for mentoring me throughout the project. Special thanks to Salvador Sánchez and Ben Merrick for their weekly feedback in labs.
-Ivy sourced from SilverTm’s Ivy Pack
-Megascans sourced from Quixel Megascans

For my final project of the game art program at Vertex School, I modeled a temple inspired by a Lost Temple concept by Shubham Parte.

My focus on this project was learning how to make a bigger scale environment. I learned a lot about texturing and adding detail to larger environment assets by using detail normals, mesh decals, and RGBA masks, thanks to Cairo Goodbrand’s tutorial on using second UV channels inside Unreal.

I’d like to give a special thanks to my mentor, Kem Yaralioglu, for all of the guidance, knowledge, and feedback given through each step of the process. I’d also like to give a huge thank you to Salvador Sánchez and Ben Merrick for their weekly feedback.
I modeled everything in Maya, textures were made in Substance Designer and Painter, and the scene was made in UE5. Spanish moss is from Megascans.

Fan of The last of us Would never change anything from it, absolute masterpiece. I got a chance to make fan Art. Big thanks to Vertex mentor Jacob Claussen.